Our approach to acting at ACS is an evolution of a technique called Practical Aesthetics.
Our full-time, part-time and private clients learn Practical Aesthetics and the Inner Game of Acting
The Practical Aesthetics technique was created in the US by David Mamet and William H Macy and is now practised by leading actors around the world
Recommended Books on Practical Aesthetics
A Practical Handbook for the Actor by Melissa Bruder et Al
True and False by David Mamet
The Monologue Audition by Karen Kohlhaas
The Handbook for Acting Techniques by Arthur Bartlow
A Field Guide to Actor Training by Laura Wayth.
Practical Aesthetics and
the Inner Game of Acting
Practical Aesthetics - What Is It?
Our approach to acting is called Practical Aesthetics, it is based on the work of Sanford Meisner and the late work on the Method of Physical Actions with Konstantin Stanislavsky - the father of modern acting.
Practical Aesthetics is highly practical, no-bullsh*t approach to acting developed by award winning writer David Mamet and award winning actor William H Macy. It was created out of Mamet's desire to reduce the actor's tendency towards navel-gazing and self-conscious introspection encouraged by the worst excesses of Method Acting.
As a complete alternative to traditional approaches to acting, Practical Aesthetics does not take any prisoners. If it doesn't work for you in practise, it isn't part of your training at Acting Coach Scotland.
Students and clients all over the world use the no-nonsense tools of Practical Aesthetics. Actors using the technique include Zosia Mamet (HBO's Girls), Rose Byrne (X-Men/Damages), Clark Gregg (Agents of Shield), Matthew Fox (Lost) Simon Helberg (Big Bang Theory), Felicity Huffman (Desperate Housewives), Elizabeth Olsen (Godzilla) and hundreds more.
It starts with very simple concepts. Truly understand the drama of the scene. Go into the scene with something to do, and try to do it in every moment of the scene. Adapt to what your scene partner is doing. And that's it. However, like any fundamental skill, it takes time, commitment and an open mind. Three things people struggle with.
Traditional approaches throw around terms like character, emotion and motivation, without ever discovering whether and how these concepts really lead to a successful performance.
Practical Aesthetics takes a unique approach to character; we do not step into their shoes, we work to reach the state of Flow, which is what the very best actors experience when they think they are in character. An optimum state where your ego drops away, and you experience pure enjoyment.
Luckily, our studio has full-time, part-time and private training and coaching options. So, no matter how you want to discover the Practical Aesthetics Acting Technique, there's a way for you.
Further Reading
Learn more about the Practical Aesthetics technique in our summary of the essential guide, A Practical Handbook for the Actor, co-written by David Mamet and his collaborators.
Here’s the regenerated list with integrated hyperlinks:
In addition to exploring A Practical Handbook for the Actor, you might find these related articles insightful:
10 Things to Know About Practical Aesthetics: This article provides a concise overview of the Practical Aesthetics technique, highlighting its key principles and benefits for actors, directors, and writers.
David Mamet's Approach to Acting: Explore the distinctive acting philosophy of David Mamet, delving into his views on performance and storytelling.
How Practical Aesthetics Can Transform Your Auditions: Learn how to apply Practical Aesthetics to enhance your audition process, focusing on script analysis and authentic performance.
A Brief History of Practical Aesthetics: Gain insight into the origins and development of Practical Aesthetics, understanding its evolution and impact on modern acting.
https://www.actingcoachscotland.co.uk/blog/practical-aesthetics-guide-part-1
https://www.actingcoachscotland.co.uk/blog/practical-aesthetics-guide-part-2
https://www.actingcoachscotland.co.uk/blog/practical-aesthetics-guide-part-3